Once I got those sorted I couldn't be happier with the Big Six. Gain staging is important to minimizing noise. I use the stereo cues as effect sends and channels 1+2 as returns. The second was due to the lack of inserts on the stereo channels. The first was power supply related and once I separated the Big Six, it's supply and my computer monitor's power supply the hum was gone. I had to buy a new power supply for mine to minimize noise while I wait for a solution from SSL.įWIW I was a relatively early adopter and noticed two noise issues. Also, there are no inserts on the stereo channels so if you want to record those you must use it as an interface.ĭo read the elektronauts forum though so you know the potential noise issues. I think one of the main benefits of the big six is being able to use it as an interface and quickly switch inputs and outputs to different routings (ITB and/or OTB as necessary) with just a push of a button. Would this be overkill and completely redundant if the big six converters are good enough to handle all the a/d duties?īig six converters are good. Or the Motu's be better for a/d conversion of my instruments? If so thinking about keeping my 16a and running all the outputs of teh Big six to the 16a. What are the overall impressions as to the quality of the converters? Would they be better than my Motu converters? I'm thinkin about keeping just the 8a and selling the other two. Have been happy with this setup but wanting to try something new. All instruments running to a patchbay and then into my interfaces. Currrent setup is a Motua 16a, 1248, 8a networked together. I've been running mixer less for a number of years now. Trying to figure out how I will integrate into my studio. Just picked up one of these and currently waiting delivery. Or if you have a headphone output on your laptop/computer you could simply aggregate that with the BiG SiX I imagine. You could buy any cheap <$100 interface for this and just aggregate it with the big six and use it only for the multiclock signal. I mean, that answer is how you would do it with the BiG SiX, but I wouldn't waste a big six channel on a square wave you are just going to ouput to your multiclock. If only there were a couple of basic aux outputs for the Audio Interface side! Leave the Insert turned on for that channel and do not input anything to the Return for that channel and Ensure you do not switch of Insert on that channel o tit will input the signal to the main bus!" You could use one of the Mono Channels switch USB in and then Use the channel send to send the signal to the device. "You could do this but you would lose a channel and you definitely run the risk of pressing the wrong button and sending that signal to the Monitors. Here's their answer for those interested: I emailed SSL asking if there's an easy way of using one of the audio interface's outputs to clock an ERM Multiclock and they said basically no Has anyone tried incorporating an ERM Multiclock or other such MIDI clock device into their Big Six setup?
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